Friday, June 25, 2010

Related

I have been informed that it is now summer in the US. Here in Mexico City it does not feel like summer, because it never does not feel like summer.

Tuesday, June 22, 2010

Mexico City: Dialogues


It's the rainy season here, which means it pours intermittently between about 5 and 9 pm every evening. Yesterday I took refuge in a taco joint for about two hours while the streets around me turned into ponds. I was the only customer there. One young waiter would occasionally peer out from under the tarpualin and shout, "Tlaloc! Qué pasa, Tlaloc?"

Thursday, June 17, 2010

Mexico City: Scenes—Portales Market








Everyone's a Critic: Dylanology


Dylan:           That song sure as hell wasn't written for you.
Weberman:  It wasn't?
Dylan:          It sure as hell wasn't, no. I was not even aware of you
                     at that time.
Weberman:  Isn't 'landlord' 'critic,' though, in your symbolism?
....
Dylan:           If you took some of that energy and spread it out a little,
                      you could get involved in a whole new thing.
Weberman: Dylanology's working out fine for me.
Dylan:          Well I don't know if there's going to be enough there.

—from a phone conversation between Bob Dylan and "radical" music critic/journalist Alan J. Weberman, taped June, 1971

Tuesday, June 15, 2010

Spanish Lesson/Adventures in Rhythm: Rasguenda las Cuerdas

In an attempt to improve my Spanish I started listening to a lot of flamenco. This turned out to be not very productive: Flamenco is usually sung in a gypsy argot with an intense Andalusian accent, where the S's are dropped and the vowel at the end of a word always sounds like 'oowwww'. It's like trying to learn English by listening to delta blues.


Anyway this clip features some great flamenco singing, dancing and guitar playing (I think it's a tangos) in a festive setting—although in Arabic instead of Spanish. But it's also notable for a couple of cross-cultural connections. The melody here comes from an old Spanish/Moorish song (there's some debate about this), of which there are versions in Spanish and Arabic. Part of it was used by the Gipsy Kings in their more famous song, 'Viento del Arena.' (The Gipsy Kings are in fact Spanish gypsies, but from families that were displaced to southern France during the Spanish Civil War.)

The beautiful young woman who sings and dances here is Lole Montoya, later the singer for Lole y Manuel, the duet that inaugurated the flamenco nuevo movement of the 1970s. Quentin Tarantino used one of their songs, 'Tu Mira,' in his more famous Kill Bill 2.

(By the way, if anyone knows more about the song behind this and 'Viento del Arena,' please tell me. I know nothing. Also, there's definitely some Michael Jackson stuff going on in her dancing.)

Saturday, June 12, 2010

Antiquariana: The Yankees of Old Weathersfield


"The most prominent of these was a certain rambling propensity, with which, like the sons of Ishmael, they seem to have been gifted by heaven, and which continually goads them to shift their residence from place to place, so that a Yankee farmer is in a constant state of migration, tarrying occasionally here and there, cleansing lands for other people to enjoy, building houses for others to inhabit, and in a manner may be considered the wandering Arab of America....
"...while the renowned Wouter Van Twiller was daily battling with his doubts, and his resolution growing weaker and weaker in the contest, the enemy pushed farther and farther into his territories, and assumed a most formidable appearance in the neighborhood of Fort Goed Hoop. Here they founded the mighty town of Pyquag, or, as it has since been called, Weathersfield, a place which, if we may credit the assertions of that worthy historian, John Josselyn, Gent., 'hath been infamous by reason of the witches therein.' And so daring did these men of Pyquag become, that they extended those plantations of onions, for which their town is illustrious, under the very noses of the garrison of Fort Goed Hoop, insomuch that the honest Dutchmen could not look toward that quarter without tears in their eyes."

-Washington Irving, A History of New York: From the Beginning of the World to the End of the Dutch Dynasty, by Diedrich Knickerbocker, 1809

Wednesday, June 9, 2010

Elsewhere in Mexico: Art Deco Jesus

Church, Acapulco.

Stranger with You: The Accountants Have Computed


The pace of life is more relaxed in Mexico. That means it takes fifteen minutes to pay for a cup of coffee. Maybe this will change as they open more Starbucks franchises.

Mexico City: Scenes

Mexico City metro stations are inordinately large. The corridors seem designed to admit a military procession or a running of the bulls. It often takes five to seven minutes of hard walking to make a simple transfer between lines. Probably to compensate for this, the trains are too small.

The trains run on rubber tires and are very quiet when they pull up to the platform, but are less quiet inside, where the windows are left open due to a lack of air conditioning.

On the Street: Guitar

Calle Cozumel.

Tuesday, June 8, 2010

Mexico City: Scenes

Guy at a party.


 
Lucha libre poster (unrelated).


My neighborhood by day...


...and by night.


Not my neighborhood.


Centro Historico.

Centro Historico.

Wednesday, June 2, 2010

Adventures in Rhythm: With a Different Meaning

How did I never notice that the Rolling Stones stole the hook for "Under My Thumb"...


from the Four Tops' "Same Old Song"?






Keith's miming is all original though.

Saturday, May 22, 2010

Stranger with You: Return of the Space Cowboy


I am sitting at my kitchen table and someone in the courtyard is drunkenly singing "Like a Stone." In Mexico City, you hear a lot of pop music that isn't played publicly in New York City anymore. Audioslave is a good example. I've had several unexpected chances to reacquaint myself with their early-2000s hits. Jamiroquai is another. I've heard more Jamiroquai during the last two months than I had during the previous five years in New York. In Mexico City it is perfectly acceptable to play "Cosmic Girl" at a party, bar, cafe, or from your car stereo as you cruise Avenida Insurgentes with the windows  rolled down. That kind of thing doesn't happen often in New York. To give another example: when was the last time you and your buddies were hanging around drinking beer and someone played three songs in a row by Massive Attack? Here it's common.

Friday, May 21, 2010

Mexico City: Scenes

 
Mexico City is justly famous for its many murals...

...which capture the spirit and history of the Mexican people...

 
...in all their nuances.

Funny Things About Serious People: Three for Papa


"Among the last of the species was big, curly-haired, broken-nosed Lionel Moise, a brilliant reporter who was also a poet, a cop-slugger, a heartbreaker, a singer of barroom ballads, and a great teller of barroom stories. He liked to start a story by saying, 'Did I ever tell you about the time I was in jail in Pocatello [or Fresno or Savannah]? I was but a lad...'....Besides telling stories, he liked to stand with his foot on a brass rail and discuss the art of writing fiction.

"I knew him first and best in 1919, when he was working briefly for the New York American....Much as I liked and admired him, I thought he was one of the many brilliant reporters of the time who had half-baked themselves by reading Nietzche....He could be cruel to women, and one year in Chicago there were two attempted suicides because of him....He had talent enough to have become a famous writer too, if he had ever acquired the discipline of the trade. As it was, he exerted a real influence on American writing, through the cub reporters who learned their jobs under him....I learned that Moise had worked for the Kansas City Star in 1917, when Hemingway was a cub there and listened to his lectures. 'Pure objective writing,' Moise would say time and again, 'is the only true form of story-telling.'"
-from The Literary Situation, by Malcolm Cowley, 1958




"Back in August, when the 4th Division was sweeping eastward from Normandy, Hemingway ranged ahead of it in his jeep and began making contact with the French irregulars. He was an imposing figure...The French were convinced that he must be a general, but Hemingway told them he was only a captain.

"A guerrilla asked him, 'How is it that a man so old and wise as you and bearing the scars of honorable service is still a captain?'

"'Young man,' Hemingway answered...'the reason is clear and it is a painful one. I never learned to read and write.'"
-from "A Portrait of Mister Papa" in Life, by Malcolm Cowley, 1949




"Then it rained hard on the dead wet leaves. And you knew that if you said it all truly there would be enough there for a long time. Enough of the olives and Baked Alaska when the air conditioner blew at you hard in the fine little room behind the zinc of the bar at Sardi's. Nick stood up and hit the waiter hard just below the temple. The man went down. The cool red borscht flew from his hands and spilled into rivulets. Three waiters came at us and you put the empty champagne bottle to your cheek and popped them down as they moved fast coming at you with a sudden rush. Hi ho, said Mary, as you counted the saucers and left a tip although you were poor. If it were true enough it would all be there. It would all be there if you said it truly."
-from The Adventures of Mao on the Long March, by Frederic Tuten, 1971

Tuesday, May 18, 2010

On the Beach


It recently occurred to me that I've now been to the Pacific coast twice in Latin America, but never in the United States.

Below are some pictures from a trip last month to a small beach in Guerrero called Boca del Rio (not the famous one).

Thursday, May 13, 2010

Saturday, May 8, 2010

Antiquariana: Victorian Views of the Bible



The delegation partook of luncheon at the conclusion of which the dusky potentate, in the course of a happy speech, freely translated by the British chaplain, the reverend Ananias Praisegod Barebones, tendered his best thanks to Masssa Walkup and emphasized the cordial relationship between Abeakute and the British Empire, stating that he treasured as one of his dearest possessions an illuminated bible, the volume of the word of God and the secret of England's greatness, graciously presented to him by the white chief woman, the great squaw Victoria, with a personal dedication from the hand of the Royal Donor.
—James Joyce, Ulysses, 1922 (but about 1904)

Consider the great historical fact that, for three centuries, this book has been woven into the life of all that is best and noblest in English history; that it has become the national epic of Britain.
—Thomas Huxley, "The School Boards: What They Can Do and What They May Do," 1870

Spanish Lesson: Shampoo


I just realized that my shampoo, which I bought because it seemed like the cheap Mexican version of Head&Shoulders, is called 'Organogal.' As in, organo-gal.

Wednesday, April 28, 2010

Funny Things About Serious People: James, Lucia and Sam


"In the month Beckett returned to Paris Lucia decided that she was not fitted for a career as a dancer after all, saying that she was simply not physically strong enough. It was a decision greeted with something less than regret by her father, who had always had his doubts about whether it was seemly for the women of his family to prance about on stages in revealing costumes and had been made uncomfortable by his daughter's insistence on doing so."

from Samuel Beckett: The Last Modernist, by Anthony Cronin